Paul Mitchell-DavidsonComposer • Educator • Arranger • Musician |
SummaryPaul Mitchell-Davidson FHEA, is a composer of contemporary classical music whose compositions cover most genre's of music including symphonic, choral, chamber music and Jazz. He works in the fields of media, theatre, education and in the community, was a lecturer in Music Composition at The Liverpool Institute for Performing Arts (Composer-in-Residence at LIPA), and is a member of the PRS, PPL and MCPS.
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Paul has a well-established reputation as a composer of contemporary classical music, often for unusual combinations of instruments such as Tapestry (see in list of compositions) for harp and mandolin and Gaia for extended saxophone quartet and computer sequenced tape. Paul's compositions cover most genre's of music including symphonic, choral, chamber music and Jazz, and he works in the fields of media, theatre, education( as past PRS Composer in Education recipient) and in the community. A lecturer in music composition at degree level, he has also lectured or taught at Salford University and various colleges.
In 1995 a concert was held for him at the Royal Northern College of Music (RNCM) in celebration of his music. It comprised thirty-two musicians, forty singers and three conductors. Included were the Apollo Saxophone Quartet and the Royal Northern College of Music Big Band. An interview about the concert was conducted with Paul on Radio 3. | Paul has been since 1986 the Composer in Residence at the annual Standish Festival. For many years he was the Composer in Residence at the Library Theatre in Manchester. In 1999 he formed the Manchester Guitar Orchestra for the Halle Concerts Society Education department, and their first performance was at the Bridgewater Hall. He is a past member of the music advisory panel for NWAA. A past Bafta Judge for music section awards and a past judge for the festival for British Association of Symphonic Bands and Wind Ensembles. He has held many workshops and masterclasses in and around the north west. |
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THE MOON AND THE FIREBIRD - A large scale multi media piece
for mixed instrumental ensemble, including electronic instruments, small
choir, solo voices, actors, chinese zither and recorded sounds. Based
on ancient chinese poems. Involved Leigh College Music Department
and some students from the Drama Department.
RAIN - A primary school project based on 'Monsoon.' The project took five weeks and two sessions in a recording studio. The recorded piece was in conjunction with a multi projector display of abstract images which had been created by the children. Loosely based on gamelan. COMING HOME - A community music and theatre piece. Set in two separate time zones, ninety years apart in the area of Prestwich, Manchester. The story featured the large local psychiatric hospital and its past history. This piece was part of the first ever Prestwich and Whitefield Arts Festival. It involved people from all parts of the community, and at all levels of acting and singing ability and various ages. It was performed with professional musicians. EARTHRITES - A large scale music and theatre piece which celebrated in both words and music, the town of Burnley and its past, present and future. It was also concerned with the relationship between the inhabitants of that area and their environment. Those taking part included a primary school, four secondary schools, Burnley Schools Brass Band and the South Pennine Singers. It was commissioned by Burnley Metropolitan Borough Council. The project won a P.R.S. Education Award. JACK IN THE GREEN - A dance and mime based project, which celebrated the life-death-renewal continuum of nature and the folkloric pagan figure Jack in the Green. The project involved a large body of students from Bury College drawn from the music, drama and visual arts departments. It was rehearsed over an intensive six day period, which culminated in a public performance on the evening of the sixth day. It was commissioned by Bury Metropolitan Borough Council. |
THE BRANDY OF THE DAMNED - A community play with
music, to mark the 100th anniversary of the founding of the
Musicians' Union. It was part of the Musicians' Union centennial
celebrations and an event for the Manchester City of Drama 1994.
It was commissioned by the Salford Open Theatre.
THE MONKEY RUN - Composed the music for this large scale outdoor community theatre piece. It directly involved the people of Blidworth and Rainworth. As well as composer I was also the musical director. It was put together by the Western Area Arts Project and New Perspective Theatre Company. It was funded and supported by BT, East Midlands Arts Board, North Nottinghamshire Rural Projects Fund, Nottinghamshire County Council and Rural Action. THE MEDIA MAGIC CARPET RIDE - Composed and arranged music for the Grassington Festival concert 'The Children of the Dales.' It was rehearsed in Manchester with professional musicians. Two performances were held in Grassington Town Hall.
1985-1993
1993 1998 Masterclass session for young musicians for the Music Support Service, Liverpool. 2003 Composed 'Threads' for Stockport Grammar School. This was subsequently performed at the Royal Northern College of Music. |